something more powerful: an ideal of what it’s like to live in a modern house. Shulman’s photographs are not simply beautiful objects in themselves or re-creations of striking buildings; they are psychologically compelling images that invite viewers to project themselves into the scene. An architectural photograph can conjure three possible desires: “I want that photograph,” “I want that building,” or “I want that life.” Shulman’s best work evokes all three.
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